Carson McCullers - Exploring the Depths of the Human Heart :: Biography Biographies Essays

Carson McCullers - Exploring the Depths of the Human Heart With affecting insight and compassion Carson McCullers (1917-1967) wrote of human loneliness, unfulfilled love, and the frailty of the human heart. Of entirely the characters in the work of Carson McCullers, the one who seemed to her family and friends to be most like the compose herself was Frankie Addams the vulnerable, exasperating, and endearing adolescent of The Member of the Wedding who was looking for the we of me. However, Carson once say that was, or became in the process of writing, all the characters in her work. This is probable accredited of most real writers who often with pain draw from their unconscious what the outride of us would just as soon keep hidden from ourselves and others. So accept the fact that Carson was not only Frankie Addams but J.T. Malone, Miss Amelia, and passe-partout Penderton but familiarity with the work that she was not able to finish would only be only a partial cl ue to who and what she was. This was not barely because she had not finished what she had to say, but that she was the artist, and as she often quoted, Nothing human is unknown region to me. So many people were unable to acknowledge Carsons constant niggardness to death, and many more resented her for trying to make them face it, but she had lived by enough close calls to convince everyone that she was indestructible. Carson saw her life one centering and those intimate with her often perceived it differently. Intentionally or unintentionally, she added to the confusion close to herself. An interviewer was more likely to be cannily interviewed than to extract an interview from her. Besides, she simply liked a good story and frequently embellished the more amuse ones of her life. The one person who singled out this quality in a oddly loving way was Tennessee Williams in his unpublished essay Praise to accession Angels The great generation of writers that em erged in the twenties, poets such as Eliot, Crane, Cummings, and Wallace Stevens, prose-writers such as Faulkner, Hemingway, Fitzgerald, and Katharine Anne Porter, has not been succeeded or supplemented by any new figures of corresponding meridian with the sole exception of the prodigious young talent that first appeared in 1940 with the publication of her first novel, The Heart Is a Lonely Hunter.